{"id":735,"date":"2020-11-11T05:03:29","date_gmt":"2020-11-11T05:03:29","guid":{"rendered":"http:\/\/classics.domains.skidmore.edu\/film\/?p=735"},"modified":"2020-11-11T05:04:24","modified_gmt":"2020-11-11T05:04:24","slug":"assignment-for-thursday-11-12-20","status":"publish","type":"post","link":"https:\/\/classics.domains.skidmore.edu\/film\/uncategorized\/assignment-for-thursday-11-12-20\/","title":{"rendered":"Assignment for Thursday, 11.12.20"},"content":{"rendered":"\n<p>Dear Cinemythologists,<\/p>\n\n\n\n<p>On Thursday, November 12, our unit on the Trojan War continues. Please do the following.<\/p>\n\n\n\n<p class=\"has-small-font-size\">VIEWING<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"https:\/\/digitalcampus.swankmp.net\/skidmore372731\/watch\/05A0B0D45041B0C8?referrer=direct\" target=\"_blank\" rel=\"noreferrer noopener\">Iphigenia<\/a> <\/em>(Michael Cacoyannis, 1977)<\/li><\/ul>\n\n\n\n<p>Streaming on Swank Digital Campus. Take notes as you see fit. This film is a close adaptation of a tragedy by Euripides \u2014 so much so that he should have been credited for the screenplay. In class, we&#8217;ll review selections from the play, but I won&#8217;t ask you to read it in advance.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-black-background-color has-black-color is-style-dots\"\/>\n\n\n\n<p class=\"has-small-font-size\">ANALYSIS<\/p>\n\n\n\n<p>Bernstein and Padala will conclude our <a href=\"http:\/\/classics.domains.skidmore.edu\/film\/analysis\/\" data-type=\"page\" data-id=\"316\">Analysis<\/a> series. Their sequence selection is in the comments.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-black-background-color has-black-color is-style-dots\"\/>\n\n\n\n<p class=\"has-small-font-size\">READING<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>McDonald, Marianne. 2001. &#8220;Eye of the Camera, Eye of the Victim: <em>Iphigenia<\/em> by Euripides and Cacoyannis.&#8221; In Winkler, Martin M.  <em>Classical Myth &amp; Culture in the Cinema<\/em>, 72\u2013101. Oxford University Press.<\/li><\/ul>\n\n\n\n<p>McDonald discusses the use of the camera as a means of enacting Iphigenia&#8217;s victimhood.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-black-background-color has-black-color is-style-dots\"\/>\n\n\n\n<p class=\"has-small-font-size\">SEQUENCES<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Graubart, Savage.<\/li><\/ul>\n\n\n\n<p>Use the comments feature on this post to recommend a sequence to be reviewed and discussed in class.<\/p>\n\n\n\n<p>Recommendations should contain the following:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>A brief description of the sequence.<\/li><li>Precise starting and ending times (hh:mm:ss \u2014 hh:mm:ss).<\/li><li>A rationale as to why this sequence is worth our time.<\/li><\/ul>\n\n\n\n<p>DC<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On Thursday, November 12, our unit on the Trojan War continues. Please do the following. Iphigenia (Michael Cacoyannis, 1977) Streaming on Swank Digital Campus. Take notes as you see fit. This film is a close adaptation of a tragedy by Euripides \u2014 so much so that he should have been credited for the screenplay. In &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/classics.domains.skidmore.edu\/film\/uncategorized\/assignment-for-thursday-11-12-20\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Assignment for Thursday, 11.12.20&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[5,154,137],"class_list":["post-735","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-assignments","tag-iphigenia-1977","tag-trojan-war"],"_links":{"self":[{"href":"https:\/\/classics.domains.skidmore.edu\/film\/wp-json\/wp\/v2\/posts\/735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classics.domains.skidmore.edu\/film\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classics.domains.skidmore.edu\/film\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classics.domains.skidmore.edu\/film\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/classics.domains.skidmore.edu\/film\/wp-json\/wp\/v2\/comments?post=735"}],"version-history":[{"count":3,"href":"https:\/\/classics.domains.skidmore.edu\/film\/wp-json\/wp\/v2\/posts\/735\/revisions"}],"predecessor-version":[{"id":738,"href":"https:\/\/classics.domains.skidmore.edu\/film\/wp-json\/wp\/v2\/posts\/735\/revisions\/738"}],"wp:attachment":[{"href":"https:\/\/classics.domains.skidmore.edu\/film\/wp-json\/wp\/v2\/media?parent=735"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classics.domains.skidmore.edu\/film\/wp-json\/wp\/v2\/categories?post=735"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classics.domains.skidmore.edu\/film\/wp-json\/wp\/v2\/tags?post=735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}