{"id":69,"date":"2020-01-14T13:38:36","date_gmt":"2020-01-14T13:38:36","guid":{"rendered":"https:\/\/classics.domains.skidmore.edu\/oven\/?page_id=69"},"modified":"2020-04-24T22:25:42","modified_gmt":"2020-04-24T22:25:42","slug":"readings","status":"publish","type":"page","link":"https:\/\/classics.domains.skidmore.edu\/oven\/readings\/","title":{"rendered":"Readings"},"content":{"rendered":"\n<p class=\"has-small-font-size\"><em>NOTE : Readings not available in our textbooks can be found in <a rel=\"noreferrer noopener\" href=\"https:\/\/illiad.skidmore.edu\/ares\/\" target=\"_blank\">Scribner Library&#8217;s Online Course Reserves<\/a><\/em>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-cyan-bluish-gray-background-color has-cyan-bluish-gray-color is-style-wide\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>INTRODUCTIONS : January 21 \u2013 30<\/strong><\/p>\n\n\n\n<p><strong>Tuesday, January 21<\/strong> \u2014 Welcome<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Introducing Ovid &amp; the English Renaissance<\/li><li>Course materials &amp; modes<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Thursday, January 23<\/strong> \u2014 Introducing Ovid<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Ovid : Life &amp; works<\/li><li>Imperial Rome : Urban \/ urbane space<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Ovid, <em>Tristia<\/em> 4.10 : The poet&#8217;s autobiography<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Tuesday, January 28<\/strong> \u2014 Introducing Early Modern England<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Re-inventing the Classics<\/li><li>How Shakespeare read his Ovid<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Sarah Hutton, \u201cPlatonism, Stoicism, Scepticism, and Classical Imitation\u201d<\/li><li>Jonathan Bate, <em>Shakespeare and Ovid<\/em>, 19\u201332<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Thursday, January 30<\/strong> \u2014 Poetics: Ancient &amp; (Early) Modern<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Latin &amp; English verse<\/li><li>Genres : Elegy, epic &amp; tragedy<\/li><li>Publication : What are we talking about?<\/li><li>The art of reference<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Amores<\/em> Epigram : The poet as editor<\/li><li><em>Am<\/em>. 1.1 : Ovid&#8217;s investiture<\/li><li>Colleen Rosenfeld, <em>Indecorous Thinking: Figures of Speech in Early Modern Poetics<\/em>, 1\u201313<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-cyan-bluish-gray-background-color has-cyan-bluish-gray-color is-style-wide\"\/>\n\n\n\n<p><a name=\"february\" id=\"february\"><\/a><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>ELEGY &amp; WRITING <em>EROS<\/em> : February 4 \u2013 22<\/strong><\/p>\n\n\n\n<p><strong>Tuesday, February 4<\/strong> \u2014 Introducing Elegy<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Elegy for beginners<\/li><li>Poet vs. mistress, subject vs. object<\/li><li>Metaphors of desire<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Am<\/em>. 1.3 : In praise of Corinna<\/li><li><em>Am<\/em>. 1.5 : Afternoon delight<\/li><li><em>Am<\/em>. 1.9 : Every lover is a soldier<\/li><li><em>Am<\/em>. 1.6 : The locked-out lover (<em>paraclausithyron<\/em>)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<p><strong>Thursday, February 6<\/strong> \u2014 Elegiac Inventions &amp; Inflections<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Advanced elegy<\/li><li>The violence of desire<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<br><em>(Content warning : ribald sexuality, assault, reproductive rights)<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Am<\/em>. 2.15 : Corinna\u2019s signet ring<\/li><li><em>Am<\/em>. 3.7 : The impotence of being earnest<\/li><li><em>Am<\/em>. 3.14 : Corinna unfaithful<\/li><li><em>Am<\/em>. 1.7 : Corinna assaulted<\/li><li><em>Am<\/em>. 2.13 : Corinna&#8217;s abortion<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Thursday, February 11<\/strong> \u2014 Marlowe\u2019s <em>Amores<\/em>:<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>What&#8217;s lost &amp; gained in translation<\/li><li>Latin vs. the vernacular<\/li><li>The erotics of impotence<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Ovid\u2019s Elegies<\/em> 1.1<\/li><li><em>Ovid\u2019s Elegies<\/em> 2.15<\/li><li><em>Ovid\u2019s Elegies<\/em> 3.6<\/li><li>Jenny C. Mann, \u201cMarlowe\u2019s Translations\u201d<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Thursday, February 13<\/strong> \u2014 English Renaissance Elegy<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Echoes of Ovid<\/li><li>Elegy : ancient vs. early modern<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Marlowe, \u201cThe Passionate Shepherd to His Love\u201d<\/li><li>Raleigh, \u201cThe Nymph\u2019s Reply to the Shepherd\u201d<\/li><li>Donne, \u201cThe Bait\u201d<\/li><li>Donne, \u201cThe Flea\u201d<\/li><li>Donne, \u201cElegy 16. On His Mistress\u201d<\/li><li>Donne, \u201cElegy 19. To His Mistress Going to Bed\u201d<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Tuesday, February 18<\/strong> \u2014 Sex &amp; the Cities, pt. I<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Topographies of power &amp; desire<\/li><li>The poet as teacher<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<br>(<em>Content warning : patriarchy, rape, sexual objectification)<\/em><\/p>\n\n\n\n<p class=\"has-normal-font-size\"> Selections from the <em>Ars amatoria<\/em> (<em>The Art of Love)<\/em> :<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Men seeking women : 1.1\u2013176, 263\u2013321<\/li><li>Men seeking women, redux : 2.1\u201320, 145\u2013254, 493\u2013534, 733\u2013end<\/li><li>Women seeking men : 3.1\u201332, 251\u2013348, 577\u2013610, 719\u2013end<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Thursday, February 20<\/strong> \u2014 Sex &amp; the Cities, pt. II<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Echoes of Ovid<\/li><li>Hero&#8217;s subjectivity<\/li><li>Queer eroticism<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Marlowe, <em>Hero and Leander<\/em><\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Saturday, February 22<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/classics.domains.skidmore.edu\/oven\/essays\/\">Essay I<\/a> (email by 11:59 PM)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-cyan-bluish-gray-background-color has-cyan-bluish-gray-color is-style-wide\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>EPIC &amp; NARRATING SPECTACLE : February 25 \u2014 April 9<\/strong> <\/p>\n\n\n\n<p><strong>Tuesday, February 25<\/strong> \u2014 Introducing Epic &amp; the <em>Metamorphoses<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Epic for beginners<\/li><li>Metamorphosis : What are we talking about?<\/li><li>Spectacularity<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<br><em>(Content warning : attempted rape)<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li> <em>Met<\/em>. 1.1\u20135 : Proem<\/li><li> <em>Met<\/em>. 1.6\u2013125 : Creation<\/li><li> <em>Met<\/em>. 1.126\u2013204 : The Four Ages<\/li><li> <em>Met. <\/em>1.222\u2013335 : Lycaon<\/li><li> <em>Met<\/em>. 1.336\u2013431 : The Great Flood<\/li><li> <em>Met<\/em>. 1.607\u2013627 : Apollo &amp; the Python<\/li><li> <em>Met<\/em>. 1.628\u2013783 : Apollo &amp; Daphne<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Thursday, February 27<\/strong> \u2014 Gender &amp; Genre Fluidity<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Theorizing ancient gender<\/li><li>So you call this an epic?<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<br><em>(Content warning : attempted rape)<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li> <em>Met<\/em>. 3.318\u2013408 : Juno, Jove &amp; Semele <\/li><li> <em>Met<\/em> 3.408\u2013440 : The Judgment of Tiresias<\/li><li> <em>Met<\/em>. 4.373\u2013533 : The Fountain of Salmacis<\/li><li> <em>Met<\/em>. 9.960\u20131147 : Iphis &amp; Isis<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<p><strong>Tuesday, March 3<\/strong> \u2014 Staging Gender Fluidity, pt. I<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Lyly&#8217;s rewriting of Ovid<\/li><li>Trans* identity on the early modern stage<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Lyly, <em>Galatea<\/em> <\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<p> <strong>Thursday, March 5<\/strong> \u2014 Staging Gender Fluidity, pt. II<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Lyly&#8217;s rewriting of Ovid<\/li><li>Trans* identity on the early modern stage<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li> Lyly, <em>Galatea<\/em><\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<p><strong>Tuesday, March 10 &amp; Thursday, March 12<\/strong> \u2014 Spring Break<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>No classes held<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<p><strong>Tuesday, March 17<\/strong> <strong>&amp; Thursday, March 19 <\/strong> \u2014 Extended Spring Break<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>No classes held<\/li><li>Gearing up for online instruction<\/li><li><a href=\"https:\/\/www.skidmore.edu\/covid19\/student-faqs\/index.php\">Skidmore student FAQ page<\/a><\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Tuesday, March 24<\/strong> \u2014 Sexualities \/ Textualities <\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Erotic artistry<\/li><li>Crossing boundaries, joining narratives <\/li><li>Visualizing revenge<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<br><em>(Content warning : incest, rape, mutilation, child murder, cannibalism)<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Met<\/em>. 10.1\u2013122 : Orpheus &amp; Eurydice <\/li><li><em>Met<\/em>. 10.123\u2013617 : Song of Orpheus (Ganymede, Hyacinthus, Pygmalion &amp; Myrrha) <\/li><li><em>Met<\/em>. 6.590\u2013977 : Tereus, Procne &amp; Philomela<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Thursday, March 26<\/strong> \u2014  Shakespeare and the Spectacle of Revenge <\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Shakespeare&#8217;s rewriting of Ovid<\/li><li>Staging the consequences of sexual assault <\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<br><em>(Content warning : sexual assault, mutilation, cannibalism)<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li> Shakespeare, <em>Titus Andronicus<\/em><\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Tuesday, March 31<\/strong> \u2014  &#8220;White-limed Walls&#8221; <\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Shakespeare&#8217;s rewriting of Ovid<\/li><li>Race &amp; racism on the early modern stage <\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<br><em>(Content warning : sexual assault, mutilation, cannibalism)<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li> Shakespeare, <em>Titus Andronicus<\/em><\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Thursday, April 2<\/strong> \u2014 Spectacle as Narrative <\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Epic range &amp; scale<\/li><li>Landscapes with figures <\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Met<\/em>. 1.1038\u20132.495 : Pha\u00ebthon (&amp; the Heliades)<\/li><li><em>Met<\/em>. 3.341\u2013658 : Narcissus &amp; Echo <\/li><li><em>Met<\/em>. 4.1\u2013227 : Pyramus &amp; Thisbe (&amp; the Minyades) <\/li><li><em>Met<\/em>. 10.618\u2013858 : Song of Orpheus (Venus &amp; Adonis, Atalanta &amp; Hippomenes) <\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Sunday, April 5<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/classics.domains.skidmore.edu\/oven\/essays\/\">Essay II<\/a> (email by 11:59 PM)<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Tuesday, April 7<\/strong> \u2014 Spectacle &amp; Desire at Court<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Shakespeare&#8217;s rewriting of Ovid (&amp; himself)<\/li><li>The politics of performance <\/li><li>The erotics of looking<\/li><li>Human-animal hybridity<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>VIDEO: Shakespeare, <em>A Midsummer Night\u2019s Dream<\/em><\/li><li><a href=\"https:\/\/video-alexanderstreet-com.lib-proxy01.skidmore.edu\/watch\/a-midsummer-night-s-dream-3?utm_source=aspresolver&amp;utm_medium=MARC&amp;utm_campaign=Video\">Watch via Scribner Library \/ Alexander Street<\/a><\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Thursday, April 9<\/strong> \u2014 Narrative as Spectacle<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Seeing &amp; being seen<\/li><li>Being mortal, becoming a god<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Met<\/em>. 3.163\u2013317 : Actaeon &amp; Diana<\/li><li><em>Met<\/em>. 6.1\u2013208 : Arachne &amp; Minerva<\/li><li><em>Met<\/em>. 15.920\u20131098 : The Apotheosis of Julius Caesar<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-cyan-bluish-gray-background-color has-cyan-bluish-gray-color is-style-wide\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>POETIC CAREERS : April 14 \u2013 26<\/strong><\/p>\n\n\n\n<p><strong>Tuesday, April 14<\/strong> \u2014 Introducing Poetic Careers<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Careers : What are we talking about?<\/li><li>Vergil: A tough act to follow<\/li><li>Recusing oneself from poetry<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Suetonius, Life of Vergil<\/li><li><em>Am<\/em>. 1.1 : Ovid\u2019s investiture<\/li><li><em>Am.<\/em> 2.1 : Ovid\u2019s Gigantomachy<\/li><li><em>Am<\/em>. 3.1 : The contest of Tragedy &amp; Elegy<\/li><li><em>Am<\/em>. 3.30 : Goodbye Elegy, Hello Tragedy!<\/li><li>Maggie Kilgour, &#8220;New Spins on Old Rotas,&#8221; 179\u201383<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Thursday, April 16<\/strong> \u2014 Caught in Mid-Career<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Upward poetic mobility<\/li><li>Gendered &amp; genred texts  <\/li><li>Self-transformation<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Am<\/em>. 2.18 : I tried tragedy, but&#8230;<\/li><li><a href=\"https:\/\/www.poetryintranslation.com\/PITBR\/Latin\/Heroides16-21.php#anchor_Toc525573659\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Her. <\/em>18 : Leander to Hero<\/a><\/li><li><a href=\"https:\/\/www.poetryintranslation.com\/PITBR\/Latin\/Heroides16-21.php#anchor_Toc525573660\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Her.<\/em> 19 : Hero to Leander<\/a><\/li><li><em>Met<\/em>. 9.662\u2013959 : Byblis &amp; Caunus  <\/li><li><em>Met<\/em>. 1.1\u20135 : Proem<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Tuesday, April 21<\/strong> \u2014 Ovid in Early Modern England<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>The role of the poet in early modern England<\/li><li>Ovid as Jonsonian exemplar<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Jonson, <em>Poetaster<\/em><\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Thursday, April 23<\/strong> \u2014 Ovid in Exile <\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Poetry &amp; civic duty<\/li><li>Jonson&#8217;s explanation for Ovid&#8217;s banishment<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Jonson, <em>Poetaster<\/em><\/li><li>Additional reading TBA<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-cyan-bluish-gray-background-color has-cyan-bluish-gray-color is-style-wide\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>CONCLUSIONS : April 28 \u2013 May 5<\/strong><\/p>\n\n\n\n<p><strong>Tuesday, April 28<\/strong> \u2014 &#8220;My Work Is Finished Now&#8230;&#8221;<\/p>\n\n\n\n<p class=\"has-small-font-size\">TOPICS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Ovid, the poet of exile<\/li><li>&#8220;Booking&#8221; the return to Rome<\/li><li>Why Ovid matters<\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">DUE<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Tristia<\/em>, book 2 : Ovid to Augustus<\/li><li> <em>Met<\/em>. 15.1099\u20131112 : The Poet of the Future<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-very-dark-gray-background-color has-very-dark-gray-color is-style-dots\"\/>\n\n\n\n<p><strong>Sunday, May 3<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/classics.domains.skidmore.edu\/oven\/essays\/\">Essay III<\/a> (email by 11:59 PM)<\/li><\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>NOTE : Readings not available in our textbooks can be found in Scribner Library&#8217;s Online Course Reserves. INTRODUCTIONS : January 21 \u2013 30 Tuesday, January 21 \u2014 Welcome Introducing Ovid &amp; the English Renaissance Course materials &amp; modes Thursday, January 23 \u2014 Introducing Ovid Ovid : Life &amp; works Imperial Rome : Urban \/ urbane &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/classics.domains.skidmore.edu\/oven\/readings\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Readings&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-69","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classics.domains.skidmore.edu\/oven\/wp-json\/wp\/v2\/pages\/69","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classics.domains.skidmore.edu\/oven\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/classics.domains.skidmore.edu\/oven\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/classics.domains.skidmore.edu\/oven\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/classics.domains.skidmore.edu\/oven\/wp-json\/wp\/v2\/comments?post=69"}],"version-history":[{"count":60,"href":"https:\/\/classics.domains.skidmore.edu\/oven\/wp-json\/wp\/v2\/pages\/69\/revisions"}],"predecessor-version":[{"id":297,"href":"https:\/\/classics.domains.skidmore.edu\/oven\/wp-json\/wp\/v2\/pages\/69\/revisions\/297"}],"wp:attachment":[{"href":"https:\/\/classics.domains.skidmore.edu\/oven\/wp-json\/wp\/v2\/media?parent=69"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}