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A
web site and journal "dedicated to the study of
ancient Greek and Roman drama in performance."
Of
particular interest is the Study
Area, which features an introduction to ancient
drama, a glossary, and extensive visual resources —
including 3-D reconstructions of the Theater of Dionysus.
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A
series of web pages on Greek tragedy and comedy by Professor
Walter Englert (Reed College).
The
page on Staging
an Ancient Greek Play describes how a fifth-century
tragic poet might go about putting on plays at the Dionysia,
with cameo appearances by Sophocles, Euripides, and
Socrates. |
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A
"photographic archive of the archaeological and
architectural remains of ancient Athens," and another
member of the Stoa Consortium.
Exhaustive.
Images
relating to the Theater of Dionysus are indexed on the
page devoted to the south
slope of the Acropolis. |
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The
AWMC "promotes cartography, historical geography
and geographic information science as essential disciplines
within the field of ancient studies."
The
Free Maps section covers the Mediterranean basin, including Greece, the
Aegean, Asia Minor, and Italy, in various formats. |
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"An
online encyclopedia on mythology, folklore, and legends...from
all over the world." Concise articles, image
galleries, genealogical tables, and a handy search engine.
Two
sections relevant to tragedy: Greek
Mythology (about deities) and Greek
People (about heroes and heroines).
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An
"evolving digital library" of primary and
secondary sources with emphasis on ancient Greece and
Rome.
Especially
helpful for fifth-century Athenian history and society
is T. R. Martin's Overview
of Classical Greek History. The Greek
and Roman Materials page lists all texts, images,
and resources in the collection. |
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Yet
another Stoa Consortium
member, Diotima is "an interdisciplinary resource
for the study of patterns of gender around the ancient
Mediterranean."
See
the Bibliography,
which is subdivided into various topics pertinent to
women's lives, and the online version of Women's
Life in Greece and Rome by M. R. Lefkowitz and M.
B. Fant. |
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